Traulito 8

TRAULITO
#8
Novembro de 2012
63
9 -11
7
Uma publicação da 21
SN
Companhia do Latão IS
Boal e a crítica ao
Tropicalismo
Heleny Guariba,
atriz e militante
Buraco filosófico:
um experimento
do Núcleo de Estudos
Anatol Rosenfeld
NOTA EDITORIAL
Traulito 8 JOUFHSBVNDPOKVOUPEFBUJWJ- EXPEDIENTE

Distribuição gratuita
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Texto publicado no programa da *'FJSB1BVMJTUBEF0QJOJÍP, espetáculo realizado
pelo Teatro de Arena e apresentado no Teatro Ruth Escobar, em junho de 1968. Com
o tema: Que pensa você do Brasil de hoje?, a 'FJSB1BVMJTUBEF0QJOJÍPreuniu textos
de dramaturgos como: Augusto Boal, Bráulio Pedroso, Gianfrancesco Guarnieri,
Jorge Andrade, Lauro César Muniz, Plínio Marcos; e os compositores: Ary Toledo,
Caetano Veloso, Edu Lobo, Gilberto Gil e Sérgio Ricardo.
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da Iª Feria Paulista de Opinião. HSVQPTUFBUSBJTF$FOUSPTEF5FBUSPEP0QSJNJEP OP#SBTJMFOPNVOEP&BHPSB
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propriedade privada.
Priscila Matsunaga – Faculdade de Letras/UFRJ
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O texto original é uma cópia mimeografada, apresenta

54 páginas, sem data, e integra o Acervo Augusto Boal da
Universidade Federal do Rio de Janeiro.
A Companhia do Latão homenageia a memória de Heleny
Guariba, uma das maiores militantes do teatro de esquerda
no país que foi assassinada pela ditadura militar e é mais
uma das desaparecidas políticas no Brasil.
SOBRE HELENY GUARIBA
Por Dulce Muniz
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HE L E N Y
Por Izaías Almada TØMJEPTQBSBDPOUJOVBSPVOÍPOBMVUB 1SFTFSWBSPTJEFBJTFPTNJMJUBOUFTQSFTPT

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DPNPOØT DPNVOHBWBPTNFTNPTJEF- UÍP B"NÏSJDB-BUJOBBJOEBRVJOUBMEPT novo romance, Sucursal do inferno (VBSJCB
BJT TFSJB QSFDJTP BSHVNFOUPT NVJUP JOUFSFTTFTEPDBQJUBMJTNPJOUFSOBDJPOBM (Prumo, 2012).
Heleny e seus colegas do Colégio Roosevelt
NÚCLEO DE ESTUDOS
ANATOL ROSENFELD
Para comemorar seus 15 anos de existência, a Companhia do Latão realizou o projeto “Diálogos de
Aprendizagem”, aprovado em edital público para a ocupação do Teatro de Arena Eugênio Kusnet, onde o
grupo teve início em 1997. Entre outras atividades, a Companhia organizou o Núcleo de Estudos Anatol
Rosenfeld, um grupo de pesquisa com pessoas interessadas no debate sobre o teatro épico-dialético e os
processos de trabalho do Latão.
Segue abaixo o texto da integrante do grupo, Gislaine Cristina de Oliveira, sobre a experiência de trabalho
do Núcleo.
"PDVQBÎÍPRVFB$PNQBOIJBEP-BUÍPGF[EP5FBUSPEF"SFOBFNGPJVNSFUPSOPQBSBPQBMDPRVFBUJ-
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3PTFOGFME CBUJ[BEPDPNPOPNFEPUFØSJDP EFBDPSEPDPN4FSHJPEF$BSWBMIP QPSiSB[ÜFTEFBNPSBPQFOTBNFOUPw
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TFUFOUBQFTTPBTQBSUJDJQBSBN%FTTBTPëDJOBT TBJVPHSVQPEFDFSDBEFWJOUFFDJODPQFTTPBTRVFTFFODPOUSBSJBRVB-
USPWF[FTQPSTFNBOBEVSBOUFDJODPNFTFTOPQBMDPEB5FPEPSP#BJNBQBSBFYFSDÓDJPTQSÈUJDPT QBMFTUSBTFFTUVEPT
UFØSJDPT QBSBWFSFTQFUÈDVMPTFëMNFT DPOIFDFSPQSPDFTTPEFPVUSBTDPNQBOIJBT EJTDVUJSFHSBWBSDFOBT DBOUBS
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JOUFHSBOUFTEP-BUÍP RVF BMÏNEFBUVBS DPOTUSVÓSBNBPMPOHPEPTBOPTVNQFSDVSTPOBQFEBHPHJBEFTFVPGÓDJP&ORVBOUP
JTTP PVUSPTBUPSFTNFODJPOBSBN BPëOBMEPQSPDFTTP DPNPGPJQSPWFJUPTPFYQFSJNFOUBSUBNCÏNFTTBGVOÎÍP DPOUSJCVJSDPNP
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Grupo de Atuação – #JBODB-PQSFTUJ $BSJOB.VSJBT

4BDVUJ 'FSOBOEB%POOBCFMMB0SSJDP (BCSJFM4UJQQF (BCSJFM
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1BFTEF#BSSPT"SSVEB 7BOFTTB#JêPO 7JDUPS8JMMJBO'FJUPTB
Grupo de Dramaturgia e Direção –"MJOF%JBT$BNPMFT #SVOP
.FMP$BTUBOIP $BSNFO.JOIPUP (JTMBJOF$SJTUJOBEF0MJWFJSB
/BUBTIB#FMGPSU1BMNFJSB 3BQIBFM'FSOBOEFT"MWBSFOHB 3BRVFM
4FJYBTMúsica – .BSÓMJB$BMEFSØO #PSHFTEF1BVMB
IMAGENS DO NÚCLEO ANATOL ROSENFELD
Ciclos teór icos
de introdução ao
pensamento dialét ico.
Nar rat iva épica - Cena de Buraco Filosóf ico.
“Realismo não como est ilo

mas como at itude de rel ação
concret a com o outro ator ”.
CICLO MARXISMO E
LITERATURA
0 $JDMP .BSYJTNP F -JUFSBUVSB QSPDV-
SPV BQSFTFOUBS VNB JOUSPEVÎÍP UFØSJDB ËT
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OPTEJBT FEFKVOIP DPNBTFHVJOUF
COSTA QSPHSBNBÎÍP CICLO DE CINEMA:
Latão Ocupa /P TÈCBEP EJB EF NBJP B $PNQB-
OIJB EP -BUÍP SFBMJ[PV VNB )PNFOBHFN
BSUÓTUJDBB'FSOBOEP1FJYPUP DPNBMFJUVSB
t i.PEFSOJTNP F DSÓUJDB EJBMÏUJDBw QPS
Experimentos críticos em audiovisual
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Teatro de Arena
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TEMPORADA DE ÓPERA DOS rão NJO
FΉ %JPHP /PWFOUB FYJCJV
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VIVOS /PTEJBTFEFNBJPF¡EFKVOIP NJO

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OFICINA DIÁLOGOS DO LATÃO )JTUØSJBEB641 TPCSFPTTFHVJOUFTUFNBT FYJCJVPDVSUBO Voo de Tulugaq NJO

" 0ëDJOB %JÈMPHPT EP -BUÍP GPJ QSÏ t i.BSYJTNP BSUF WBOHVBSEBw QPS'SBO- t *OUSPEVÎÍP Ë 5FPSJB EB %SBNBUVSHJB DFOBTEPMPOHBCanção de BaalΉFEPDJOF
SFRVJTJUPQBSBBQBSUJDJQBÎÍPOP/ÞDMFPEF DJTDP "MBNCFSU QSPGFTTPS EP %FQBSUB- Drama FTQFUÈDVMP Tragicomédia de um Homem
&TUVEPT"OBUPM3PTFOGFMEFUFWFDPNPCBTF NFOUPEF)JTUØSJBEB641 t *OUSPEVÎÍP Ë 5FPSJB EB %SBNBUVSHJB Misógino.
PUFYUPA compra do latão EF#FSUPMU#SFDIU t i.BUFSJBMJTNP IJTUØSJDP F DVMUVSBw QPS Crise do Drama t .BSDP %VUSB FYJCJV P MPOHB Trabalhar
'PSBNEPJTFODPOUSPTSFBMJ[BEPTOPTTÈCB- %BOJFM 1VHMJB QSPGFTTPS EP %FQBSUB- t *OUSPEVÎÍP Ë 5FPSJB EB %SBNBUVSHJB Cansa NJO
RVF EJSJHJV KVOUP DPN
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Debates -
Seminár io Teatro
Moderno e Cultura
Popul ar.
Trabalho musical - Cena de Buraco Filosóf ico.
O trabalho foi
coordenado pelos
atores da Companhia
do L at ão.
MOSTRA TRABALHO DE GRUPO

"PTTÈCBEPTFEPNJOHPTEPNÐTEFKV-
OIP B$PNQBOIJBEP-BUÍPSFBMJ[PVVNB TEMPORADA DE O PATRÃO
.PTUSBFNRVFTFUFDPMFUJWPTEF4ÍP1BVMP CORDIAL
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#SBWB $PNQBOIJB $PNQBOIJB "OUSPQP- USBCBMIPRVFUFWFDPNPQPOUPEFQBSUJEBP
GÈHJDB $PNQBOIJB&TUVEPEF$FOB 0DB- TEMPORADA DO TEATRO BURACO FILOSÓFICO –
estudo de Raízes do Brasil EF4ÏSHJP#VBS-
NPSBOB &OHFOIP 5FBUSBM $PNQBOIJB EP ALFENINIM DA PARAÍBA RVFEF)PMBOEBFEBQFÎBO Senhor Puntila EXPERIMENTO CÊNICO DO
Latão. *OUFHSBOEP P QSPKFUP EF PDVQBÎÍP EP e seu Criado Matti EF#FSUPMU#SFDIU NÚCLEO ANATOL ROSENFELD
5FBUSPEF"SFOBQFMB$PNQBOIJBEP-BUÍP "$PNQBOIJBEP-BUÍPBQSFTFOUPV FO-
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BQSFTFOUPV P FTQFUÈDVMP O Deus da Fortu- TEMPORADA DE ÓPERA DOS
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sem saída FNUFNQPSBEBOPTNFTFTEFTF- IBWJBTJEPVNUFBUSPEFFTRVFSEB0ëMØTPGP
tembro e outubro. SEMINÁRIO TEATRO MODERNO MOSTRA TEATRO POLÍTICO E TFSFDPSEBEFDFOBTEBTVBKVWFOUVEFRVFTF
E CULTURA POPULAR UNIVERSIDADE QBTTBSBNOFTUFNFTNPMPDBMFWÐTVBJNP-
CINECLUBE DO LATÃO /PTEJBT FEFBHPTUP B$PN- 1BSBBQSFTFOUBSVNCSFWFQBOPSBNBEP CJMJEBEFJOUFMFDUVBMTFOEPKVMHBEBQPSQVUBT
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tre nós dinheiro EF3FOBO3PWJEBCapital t i.BSUJN (POÎBMWFT F B FTDPMB EF UFBUSP EFTFOWPMWJEPTQPSBMVOPTEP%FQBSUBNFOUP UBTIB#FMGPSEF3BGBFM;BOPSJ
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Ancestors
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Para
conhecer o
trabalho da
Companhia
do Latão
Contato para pedido

das publicações
companhiadolatao@gmail.com

Traulito 8

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TRAULITO

Traulito 8 JOUFHSBVNDPOKVOUPEFBUJWJ- EXPEDIENTE

EP -BUÍP DPOUFNQMBEP OB  &EJÎÍP 3PCFSUB$BSCPOF

5FBUSPQBSBB$JEBEFEF4ÍP1BVMP&TUF Projeto gráfico e diagramação

OÞNFSP USB[ P UFYUP EF "VHVTUP #PBM Produção

.BUTVOBHBTraulito 8 IPNFOBHFJBBEFTB- Agradecimentos

QBSFDJEB QPMÓUJDB )FMFOZ (VBSJCB DPN PT Cooperativa Paulista de Teatro

QFMP/ÞDMFPEF&TUVEPT"OBUPM3PTFOGFMEF Edição eletrônica

SFHJTUSBPTDJODPNFTFTEFPDVQBÎÍPEP5F- Contatos da publicação

o tema: Que pensa você do Brasil de hoje?, a 'FJSB1BVMJTUBEF0QJOJÍPreuniu textos

de dramaturgos como: Augusto Boal, Bráulio Pedroso, Gianfrancesco Guarnieri,

Caetano Veloso, Edu Lobo, Gilberto Gil e Sérgio Ricardo.

Por Augusto Boal 1PSÏN BQSFUFYUPEFOÍPEJWJEJS OÍPUFNPTUBNCÏNPEJSFJUPEFDBMBS

4ÍP1BVMP EF"HPTUP 63(&/5&

O texto original é uma cópia mimeografada, apresenta

)FMFOZ (VBSJCB OBTDFV OP EJB 

Por Izaías Almada TØMJEPTQBSBDPOUJOVBSPVOÍPOBMVUB 1SFTFSWBSPTJEFBJTFPTNJMJUBOUFTQSFTPT

BJT TFSJB QSFDJTP BSHVNFOUPT NVJUP JOUFSFTTFTEPDBQJUBMJTNPJOUFSOBDJPOBM (Prumo, 2012).

Heleny e seus colegas do Colégio Roosevelt

Grupo de Atuação – #JBODB-PQSFTUJ $BSJOB.VSJBT

Nar rat iva épica - Cena de Buraco Filosóf ico.

“Realismo não como est ilo

Trabalho musical - Cena de Buraco Filosóf ico.

MOSTRA TRABALHO DE GRUPO

Contato para pedido

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EP -BUÍP DPOUFNQMBEP OB &EJÎÍP 3PCFSUB$BSCPOF

5FBUSPQBSBB$JEBEFEF4ÍP1BVMP&TUF Projeto gráfico e diagramação

.BUTVOBHBTraulito 8 IPNFOBHFJBBEFTB- Agradecimentos

4ÍP1BVMP EF"HPTUP 63(&/5&

)FMFOZ (VBSJCB OBTDFV OP EJB

BJT TFSJB QSFDJTP BSHVNFOUPT NVJUP JOUFSFTTFTEPDBQJUBMJTNPJOUFSOBDJPOBM (Prumo, 2012).